Artistically, the vitrine viva is an expression to interpret in a different way, in which creatures with human features in most of the times created live. This art reflected a lot in media, in the theater and events; creating a new work market. Many people appeared inspiring in our job. (In Vitrine Viva Group, but I do not know why???); to work with the technique. But certainly, do the same is not that so simple as it seems to be. And badly produced and interpreted becomes a great failure. That's why; this is a site to explain definitely what this technique is and what the hirer can expect in having a character like these in his event. Some people think that is a dance, but it is not and it is far away to be one. It is a scenic expression, theater, this is the name of the group, but because of the power of our divulging it became the name of our work. Today it is common in events see people doing or at least trying to do the movement. Once I have heard people saying that it is the incredible dance "break", but I guarantee that it does not make any sense this comparison. Once in Argentina I had an opportunity to work with break-dancers and I did not do what they do and vice-versa. The technique is based on in a human being behavioral studies'. What they would really like to see in an inanimate creature, if it could move itself?! Seeing my old presentations I noticed how I evaluated and structured myself, the way of acting an imaginary being. There are many different styles for sure, but the one that really pleases, is besides an appropriate production with coherent makeup and design, a sober staging. Muscles controls, breathing, way of walking, moving the arms, neck, finally, demonstrate, without exaggeration, but with determination, that you are since the beginning that creature. What I notice at people that try to do the technique is that the eyes power is too small in relation to the body. They try to truncate the most the movements and they forget that their eyes are the character lives. Some even wear dark glasses or make eye-closed statues. Of course, if there is this requisition in the context that's no problem, but I believe that the eyes create the biggest interactivity, mainly when they hardly blink. I would like people stopped copying and create their style, because only with what you own artistically is when you reach a space. Much concentration, simplicity and maturity to face the situations that put in risk a character. Today the character is not cold all the time. The character can move mechanically, its voice not human. But, its behavior can be soft. The approaching with the spectators should be subtle and prevail the looking of who is in front of you. The respect above all in the interactivity is a big secret. Finally, sooner I will teach secret in workshops (there could have a link to make a cadastral in here P.S.: This is for the site production), time remains now, because I love acting and each time appear more shows for whole Brazil. The technique evolves inside me and I feel necessity to keep on in this trajectory developing the same and creating more CHARACTERS.
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